The agender brand A João triggers a very important discussion asking the pivotal question: How come the hands that dug the gold and built the most beautiful churches in the Minas Gerais's Baroque Era, still to these days, have not had any access to these riches? A João's collection shows bold pieces built with tradicional arabesque cut out of textiles used traditionally as blankets for homeless people and printed red angels patters adorning the body of queer models. The fashion film is shot on the streets of Ouro Preto - a historical city and capital of gold mining during the XVIII e XIX centuries - and it features local poet Tatá MC. I blended field recordings of some of the biggest Church's bells in Ouro Preto with baroque Brazilian orchestra pieces of the same era (most also written by black and mixed race people), and contemporary four o the floor beat crossing classic Brazilian instruments such as the berimbau and atabaques. As Milton Nascimento's sample reminds us: "Quem é rei sempre será" (“Those who are kings will always be kings”).